Showing posts with label Colored Inks. Show all posts
Showing posts with label Colored Inks. Show all posts
Friday, January 29, 2016
Finished Colored Pencil and other
I wanted to finish the Purple Headed Sneezeweed work before I updated the blog. I really don't like posting in-process photos of works, I sort of feel that it is OK to post the beginnings of a piece, but once the drawing reaches a certain point (over half way finished) it seems to me that posting photos sort of ruins the final reveal. You are of course entitled to your own opinion.
Anyway above is a scan of the final work. The colors aren't quite right, scanners never seem to get yellow quite right, I have a feeling it has to do with the pigments used to create the color. So I have played with this a bit in Photoshop, this is a good as I could get it. When we get a sunny or less overcast day I will try to get a photograph of the drawing and see if I can do better color wise with the camera.
This was done on Stonehenge paper, size of the finished work is approximately 6 x 6 inches. I used a combination of many colors and different brands of colored pencils, mostly underlayers of various Derwent brands, Colorsoft, Artists, and Studio with final overlays of Faber Castell Polychromos. The flower is based on a personal photograph I made last summer the background is totally my imagination, but I rather like it.
The above piece is more of my playing around with a dip pen and colored inks. I decided I needed to take a bit of time away from the colored pencil work and do some sketching from real life, fruit is always good for quick studies so above are 2 pears and an apple. I really just wanted to play with the inks so I wasn't too concerned about accuracy. Done in my Strathmore Multi Media Journal, I used Red, Yellow, Antelope Brown and Indigo Blue acrylic inks for the fruit after making the initial outline with one of my technical pens in black ink. Not wonderful, but sort of fun anyway.
One day last week I took the bus into Boston, I wanted to visit Dick Blicks and the MFA. On the way in I sketched one of my fellow passengers. Just a quick sketch, but not too bad. I used a mechanical pencil for this in one of my smaller sketchbooks.
At the large Dick Blicks in Boston I discovered that they are now carrying open stock of the Caran d'Ache Luminance colored pencils. Oh my, I am in trouble now, well my budget is. These are very expensive pencils, but they are also the most colorfast pencils on the market so of course I want them. I already have a few and now I have the opportunity to acquire more.
At the MFA they are sort of between major shows. The artwork from the Americas showing the influences of Eastern art on western art is still on-going but the Dutch paintings are gone. There are a couple of smaller exhibits of some interest, one is some of the Photographs of Hiro. He was mostly a fashion/advertising photographer still some of his photos are iconic. The other is some of the fashion illustrations of Kenneth Paul Block. I found it interesting how over time he distorted the human form to feature the fashions he is illustrating, bodies and limbs become elongated, heads and feet were made smaller. In his drawings the clothes are what is important not the faces or accurate portraits of the models. The Illustrations range from some of his earlier works to later ones, and it is interesting to see how the figure is more distorted over time, the earlier illustrations show more realistic human models, the later ones are less and less realistic.
Since I am trying to get less realistic for my own art I am trying to pay attention to how other artists do or don't use realism in their works. Not sure I am succeeding with my goal, drawing realistically is a habit that is hard to break, but I think I now have a better understanding of what Picasso was trying to do with some of his art. I am not going to go that way with mine, but I can understand why he did.
A couple of snow photographs from this past weekend. We did get some of the snow that blanketed the east coast the end of last week, but no where near the amount of snow they got to the south of us, particularly in the mid Atlantic states. We got maybe six inches of snow not several feet. But we did get wind. The photo above shows how the snow was blown about settling in patterns and layers.
The snow was just damp enough to stick to trees, so above is a small tree with its icing of snow, you can see some of the trees behind it have a coating on one side of their trunks. I always love photographing snow when it has stuck to the trees this way.
That is it for today, per usual comments are welcome.
Labels:
Colored Inks,
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Fruit,
graphite,
January,
Pen and Ink,
Portrait,
Purple headed Sneezeweed,
sketch,
Snow
Tuesday, January 19, 2016
Colored Inks, and beginning Colored Pencil
The above Hibiscus flower was done entirely with various colored acrylic inks and a dip pen. I used a half sheet of Strathmore toned paper for the background. The size is about 5 x 6 inches. I did rough in a pencil outline of the flower and main leaves first but as I inked the background first I was able to erase out most of the pencil prior to starting the the flower. I didn't use any black ink on this, just various colors, red, green, antelope brown, and yellow, and oh yes a little Indigo blue in the background and on some of the leaves.
The reference is from the January Monthly challenge in the WetCanvas Pen and Ink forum.
I am relatively pleased with how this came out and may try to do more flowers this way. The only drawback is that color placement does have to be thought out a bit prior to inking, and I can only ink one color at a time so it isn't quick and there is a fair amount of pen cleaning involved. I keep a small jar of my pen cleaning solution close at hand, and always rinse that off in clean water after cleaning the pen.
I have started the colored pencil work on this inked flower, so far I have just been working on the background abstract leaves. Selecting the colors has been fun, but I think what you see is what I will be using for the rest of the background, I am using under layers of Derwent colored pencils with a top layer of Polychromos. The Derwents are wax based pencils and the Polychromos are oil based and a bit more translucent than the wax pencils.
The other day I was out for a walk in my local park and saw a tree trunk/stump in a clearing that I thought might make an interesting drawing. I made a reference photo at the time and used it as the basis for the above sketch. I used Sepia Acrylic ink and dip pen in one of my smaller sketchbooks for this drawing.
The drawing didn't actually take very long to do, but I am quite pleased with how it came out. Guess my occasional plein air landscape drawings are starting to pay off when it comes to figuring out how to suggest distance and textures with pen and ink.
The above is pretty much a doodle done in one of my sketchbooks with my Copic Multiliner pens (various tip sizes). Just playing around to see what values/textures I can come up with using just ink. No reference and not really trying to create a finished drawing, but depicting tone/texture with ink is a constant challenge so these doodles do have a purpose.
Speaking of blue, I just finished reading a book about blue. It is mostly about blue dye, originally done in the Mediterranean using the gland of a sea snail, until plant indigo was introduced from the East, even then it was the preferred dye of the upper classes. The author includes all sorts of linked information, Mediterranean History, how we see blue, the chemistry of Indigo and how the historic dyeing process was rediscovered. So if you are curious about the color blue prior to our chemical dyes this is a very interesting read: The Rarest Blue
That is it for today, per usual comments are always welcome.
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